Through allusions to mythology, religion, and art history, this body of work takes a critical peek into contemporary attitudes and religious taboos communicated through the censorship of women’s hair. In each frame, the artist’s self-portrait is centered around a halo of calligraphic text that meticulously repeats the Turkish word for hair, “saç.” The daring invitation Read more….
Through allusions to mythology, religion, and art history, this body of work takes a critical peek into contemporary attitudes and religious taboos communicated through the censorship of women’s hair. In each frame, the artist’s self-portrait is centered around a halo of calligraphic text that meticulously repeats the Turkish word for hair, “saç.” The daring invitation Read more….
Through allusions to mythology, religion, and art history, this body of work takes a critical peek into contemporary attitudes and religious taboos communicated through the censorship of women’s hair. In each frame, the artist’s self-portrait is centered around a halo of calligraphic text that meticulously repeats the Turkish word for hair, “saç.” The daring invitation Read more….
Through allusions to mythology, religion, and art history, this body of work takes a critical peek into contemporary attitudes and religious taboos communicated through the censorship of women’s hair. In each frame, the artist’s self-portrait is centered around a halo of calligraphic text that meticulously repeats the Turkish word for hair, “saç.” The daring invitation Read more….
Original work was pen and watercolor. Couples at a table. Women scantily clad, men on suits, over coat, cane and hat. Inventory ID 101 Private Notes Excellent condition. Purchased in 2019 Purchased From Habitat for Humanity Restore Consigned To/Collected By PDF Uploads
Original work was pen and watercolor. Couples at a table. Women scantily clad, men on suits, over coat, cane and hat. Inventory ID 101 Private Notes Excellent condition. Purchased in 2019 Purchased From Habitat for Humanity Restore Consigned To/Collected By PDF Uploads
Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Matted Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and Read more….
Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
6 copies Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
Matted, size 16 1/2 x 20 1/2 A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface Read more….
Print is matted: 20 x 14 5/8 Inventory ID 167 Private Notes Shrink-wrapped, in good condition, slight corner damage Purchased From Consigned To/Collected By PDF Uploads
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
Etching with Chine Colle; Edition Varied; Green/Blue and Red/Ocher, both matted: 14 x 15 Ikuko Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, Read more….
Edition 15/15 is matted. Iku Nagai (1933-) was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, Read more….
Edition Varied Ikuko (Iku) Nagai was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, Read more….
Iku Nagai (1933-) was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Iku Nagai (1933-) was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Iku Nagai (1933-) was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
Iku Nagai (1933-) was born and raised in Japan and emigrated to the San Francisco peninsula after WWII where she developed an abstract expressionism in her artworks. Nagai used multiple techniques to produce her art: painting in mineral pigments she ground herself, gold and silver leaf, water color, etching, drawing, monotype, woodblock, monoprint, and chine Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
Imp. – Abbreviation for the Latin word “impressit”, this mark may be found after the signature if the artist printed their own work. A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way Read more….
Imp. – Abbreviation for the Latin word “impressit”, this mark may be found after the signature if the artist printed their own work. A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way Read more….
Imp. – Abbreviation for the Latin word “impressit”, this mark may be found after the signature if the artist printed their own work. A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way Read more….
Imp. – Abbreviation for the Latin word “impressit”, this mark may be found after the signature if the artist printed their own work. This artwork is severely damaged. A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
Imp. – Abbreviation for the Latin word “impressit”, this mark may be found after the signature if the artist printed their own work. A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way Read more….
REMARQUED EDITION PRINT (R/E) This term applies to an original pencil sketch drawn by the artist in the print margin, which generally relates to the subject matter and greatly enhances the value of the print. Each sketch is an original additionally singed by the artist and often dated. These are especially prized by collectors for Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
Eleanor Dickinson (Eleanor Evelyn Vaughan Creekmore Dickinson) (1931-2017) The Peninsula Museum of Art, a non-profit for our artistic-loving community, was fortunate to have a home in Burlingame, CA for almost eight years. Unfortunately, due to redevelopment planning, our lease was terminated early and while we were looking for a new affordable home, the 2020 COVID Read more….
The Peninsula Museum of Art, a non-profit for our artistic-loving community, was fortunate to have a home in Burlingame, CA for almost eight years. Unfortunately due to redevelopment planning, our lease was terminated early and while we were looking for a new affordable home, the 2020 COVID pandemic hit and our hopes of finding a Read more….
Inventory ID 131 Private Notes Purchased From Consigned To/Collected By PDF Uploads
Carolos Mérida (1891-1985) was a Guatemalan artist and part of the Mexican muralism movement. The Peninsula Museum of Art, a non-profit for our artistic-loving community, was fortunate to have a home in Burlingame, CA for almost eight years. Unfortunately due to redevelopment planning, our lease was terminated early and while we were looking for a Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
A serigraph is a print process made with a silkscreen. Joe Price first screens an opaque white surface on each sheet of paper to seal the paper in much the same way that gesso is used to prepare canvas for an oil painting. Colors rest upon this surface rather than being absorbed into the paper. Read more….
